How old is johnny pacheco

Their first signing was a Jewish pianist, Larry Harlow. I barely spoke Spanish. And Hector spoke zero English. Hector had a repertoire of all that [Puerto Rican] stuff. He was also a very funny guy. I would write songs that were almost like parodies, satires. It was really something fresh from what was going on. We were doing what rappers are doing now. Everything Fania did seemed to be groundbreaking, and often, historic. Live albums and a concert documentary, Our Latin Thing , followed.

Don't want to see ads? Upgrade Now. View all similar artists. View all trending tracks. Loading player…. It was the year Latinas took over the Super Bowl, and Bad Bunny — like everyone in quarantine — twerked alone. At the age of 11, he moved with his family to New York, where he was able to continue his musical percussion studies at the Juilliard School, and became one of the best percussionists of his time. He was also known for playing the flute, saxophone and accordion. Pacheco and his Charanga were the first Latin orchestra to headline at the legendary Apollo Theater in Harlem in and At the end of , his career took a historic turn when, together with the Italian American lawyer Jerry Masucci, he founded the record label Fania Records , which for decades brought together the most renowned Latin musicians of the era under one banner.

The life of Celia Cruz, unrivaled queen of the genre, is the focus of a new L. Throughout his life, Pacheco was characterized by his commitment to developing the Latino community around the world. The breadth of his musical talent earned him guest gigs with several Latin bands in the city until he finally led his own orchestra in the early '60s.

In , the two founded a record label that would go on to change the fact of Latin music in the US -- Fania Records. His label created salsa stars.

Fania's rise started humbly enough, with Masucci and Pacheco selling albums out of their cars in Spanish Harlem, according to Billboard's oral history of Fania Records.

He courted talent who were drawn to his New York twist on Cuban and Puerto Rican genres like merengue and mambo, and by the late '60s, he'd created a supergroup called the Fania All-Stars. Their specialty? A unique blend of Latino musical styles, mostly up-tempo, marked by strong percussion and a musical ensemble that could steal the show from the singer.

The public called it "salsa. They tried to rip the shirts off our backs.